水利万物而不言，无声滋养万物生灵
Water nourishes all creatures in a silent manner.
土是万物的基底，万物滋生于土壤。
Soil provides a solid foundation for everything.
水与土合则成形，形而为器，熔而为漆。
They take the shape of tangible implements when combined together, and become paint after being melted.
对于我来说，美的观念不仅寓于和谐，而且寓于不和谐，因为不和谐同样可以达到美的艺术高点。请想一想绘画、雕塑或音乐，这些艺术门类在美学、道德和批判方面的问题是完全相同的，对美的赞赏或否定所依据的准则也很相近。——塞尔瓦多 · 夸西莫多《水与土》
As Salvatore Quasimodo wrote in Acque e terre (“Water and Land”), beauty is reflected not only in harmony but also in disharmony, because the latter sometimes can also reach the peak of aesthetic. For example, many types of art like painting, sculpture and music are identical in aesthetics, ethics and criticism, as well as similar in the rules of aesthetic appreciation or negation.
艺术涂料需要水与涂料相融合，用独特的艺术手法表现各种不同的肌理质感。设计师想通过两者相互依存、互为阴阳的自然法则来表达水与土的微妙关系。
Special effect paint comes from the combination of water and paint, and shows various textures via unique artistic expression. As approaching the project, the designers hoped to convey the subtle relationship between water and soil based on the natural laws of interdependence and Yin-Yang.
我们作为空间的导演希望通过艺术涂料各种不同的质感表达一个个场景组合，穿梭于艺术的构造空间，以游园的动线，让体验者产生好奇、探索、思考、惊喜等情绪。
Meanwhile, they intended to create various spatial scenes by utilizing paint of different textures, and construct a series of artistic spaces with smooth circulations to attract visitors to explore, reflect and encounter with surprises.
水与土融和为形 / Harmonious integration of water and soil
悠长的斜坡进入空间，映入眼帘的是白色抛光系列的艺术漆面，使整条过道更加明亮开阔，营造宁静的现代气息。让人置身梦境，在现实中抽离出来，进入我们的艺术之旅。步入艺术厅，地面设计了抽象的太极两仪造型，阴和阳、暗和明。阴的一面内凹做了一个水池，正面弧形墙体与厚重白色洞石墙体结构衔接，白色洞石墙体与天花结构统一，同时在天花延展设计了抽象形状的天窗与地面水池呼应。天井明堂，象征着吸收天上之雨露滋养土地与万物。
Entering the space along a long slope, visitors will firstly see the wall surface clad in the Danilo's white polished paint, which brightens up the whole passage and creates a modern serene atmosphere. It takes people away from the outside world for a while and leads to a journey of art. In the artistic hall, the floor shows the patterns of Yin and Yang. The part of Yin is embodied by a pool in a concave shape. Beside it, the curved wall with an opening and the thick white stone wall are interconnected. The stone wall is unified with the ceiling, on which an irregularly shaped skylight echoes the pool on the floor. The design of this bright hall conveys the idea that rain water is absorbed from the sky to nourish the soil and everything.
穿梭于结构之间 / Smooth circulation
透过正面朱砂红艺术涂料弧形墙体的圆形窗孔，与里面空间的结构相互交错，给予人无限的暇想空间。艺术厅有两条动线分布，围绕一圈回到了起点。穿梭的流动节奏，在此没有时间开端和终点的界限，观者仅见时光的片刻停留。
The circular opening on the vermillion-painted curved wall is visually connected to the spatial structures inside, which allows visitors’ imagination to roam freely. In the art hall, two circulations spread out and then return to the starting point, which is full of fluidity. There is no boundary between the beginning and end of time, and visitors will be immersed in the moment where time pauses here.
从艺术厅进入清水混凝土区，步梯体块与建筑圆拱门结构相嵌，半空静置的清水混凝土球体，希望透过设计语彙改採另一种灵性滋养著视觉和想像力。过道的结构墙体，采用米黄色白砂石板肌理涂料的建筑工字拼法。使光束能从结构缝隙漫射进来，使自然与结构融为一体。
In the fair-faced concrete area, the arched door opening structure is interpenetrated with the step block, on which a sphere stands silently. Such a design aims to spiritually inspire vision and imagination. The wall of the passage adopts H-shaped patterns and is finished with light beige sandstone-textured paint. Light beams can be diffused through the gaps, hence allowing the integration of nature and the structure.
几何与光影变幻 / Geometric structures and varying light and shadows
洽谈区通过黑白灰色系的一迳素淨与天花的斜线构造，使空间几何结构延展；完整的玉砂玻璃面与条形天窗光影的结合，增强了空间的通透度。用机械零件组构的未来塔，象征着重生的未来，正在迸发的生命力。看似切割般的结构，如被截断的时光，并未完结的存续。和谐与不和谐，现实与未来，对美的准则似乎一直有共通性。
The geometric structure of the negotiation area is extended through the plain and simple color scheme of black, white and gray as well as the slanting block of the ceiling. The linear frosted glass skylight brings daylight in and enhances the transparency of the space. The futuristic tower-shaped art installation is made of mechanical parts, which symbolizes the rebirth of future and infinite vitality. The overall spatial structure of this area is seemingly segmented, which is like truncated time. Whether it's the present and future, the criteria of beauty seem to be always common.
我们藉由墙体的镂空圆形，与亮光不锈钢球的呼应，让极简无华的建筑与装置造型凝聚影像，足以窥见内里的另一个时空，像是梦里光影留下的印记，模糊与突兀的不确定性。
The carved-out round opening on the wall echoes with the stainless steel sphere, which reflects the interior architectural structure and the art installation on its clear surface. The sphere enables visitors to have a glimpse into another dimension of the interior, where the boundary is blurred.
休息区橘红色的背景，长形木桌与长凳，走进儒雅而平静时空里。与旁边黑白灰空间形成冷暖对比，我们希望营造空间的戏剧张力，消失观看视角的界限。
With orange walls, long wooden tables and benches, the resting area brings people into an elegant and calming world. The designers adopted orange hue to contrast with the cool palette of the room next to it, aiming to create a dramatic tension in the space and eliminate the boundary of the viewing angle.
过道利用原有的圆型柱子，从天花勾勒一条深邃的线型黑色缝隙，穿透墙体延伸到样品展示区，与天花深凹的黑洞汇集。既独立又隐晦，既贴近也疏离，矛盾的相互依存，像在诉说事物事事关联与独立空间生存的未来生活情境。
Making use of the pre-existing round column in the passageway, the designers outlined a deep linear black slit on the ceiling, which extends to the sample display area and merge with the dark concave of the ceiling. The relationship is clear yet implicit, intimate yet estranged, interdependent yet contradictory, seeming to narrating a future living situation where things are interconnected while the space is independent.
线型与体量节奏 / Rhythm of lines and Volume
样品展示区我们将样品特意以斜嵌的方式进行展示，错落别致的排列，形成充满科幻情境的展览方式。中岛台的切割并列组合，与多样式样品模块相互呼应，色彩趣味的跳动节奏，赋予展示产品灵动的核心。
In the sample display area, the samples are deliberately displayed in an obliquely embedded manner and show staggered yet unique arrangement, which is futuristic. The counter features segmentation and juxtaposition of parts, echoing with the diversified sample modules. The color change is playful and full of rhythm, which activate the displayed products.
样品展示区的天窗与雾化落地玻璃，模糊空间定义的时空脉络，自然光影下的柔美予以人驻足思索。墙体运用几种不同的白色肌理（细砂纹、半抛光、拉丝纹），把它们融入在一个时空，既和谐又表达着彼此不同的细微情绪，就如前文塞尔瓦多 · 夸西莫多所说美的观念不仅寓于和谐，而且寓于不和谐，因为不和谐同样可以达到美的艺术高点。
The skylight and the switchable floor-to-ceiling glass blur the spatial boundaries, and introduce natural light and shadows in, which attract visitors to stop for a moment and reflect. Different kinds of white paint that is respectively characterized by fine sand-like, semi-polished and brushed textures are utilized, showing a pleasing disharmony while at the same time harmoniously expressing various subtle emotions. Just as Salvatore Quasimodo wrote, beauty is reflected not only in harmony but also in disharmony, because the latter sometimes can also reach the peak of aesthetic.
叶晖，高级环境艺术设计师，毕业于广州美术学院，提倡“自然美学”理念，善于用当代语境承载东方人文感情空间，对材质、光影、空间结构有独特的见解和较高的控制力。
从业十多年中，叶晖带领今古凤凰团队设计了多项优秀作品，斩获一系列国际知名奖项，同时受到Interior Zine、Dezeen、ArchDaily、DINZ、INTERIORS、AD、gooood谷德网、德国室内设计网、设计腕儿、家居廊、现代装饰、一起设计等全球知名媒体发布。2019年他被香港Perspective透视杂志评选为亚太区“40位40岁以下优秀设计师”之一，同时被新浪家居评选为中国室内设计新势力“全国TOP10优秀青年设计师”之一。
今古凤凰空间策划机构为2008年成立的一家从事各类空间高端专业的设计机构。我们坚持探索符合东方人文气息的空间，让人既感受到西方的理性思考，又有东方感性的“无形”顺应自然的空间体验。建筑、环境、人共同形成一个和谐的气场，用“无华”的材料，“无形”的表达，“无声”的映入每个人的心灵，让人与自然美学更多的留白与对话。
今，是现在；古，是过去已久的时间，今古，是时间的贯穿，没有古时的延伸也就没有现在，要是没有现在就不能言说古时。凤凰，代表着东方的精神，传承着中国5000年的文化标识，我们秉承着“设计改变生活”的设计理念，用当代的语言解析古代的文化，古为今用，力今以胜古，弘扬东方文化。
知名代表作品，多项获得国内外颇具影响力的大奖：《岁寒三友》、《韩上楼》、《飘·宴》、《潮汕味道》、《今古凤凰空间策划机构》、《金源照明》、《一抹绿》、《心悦》、《悠然》、《物外》、《墨》等，以及各类家居、别墅设计。
Ye Hui graduated from Guangzhou Academy of Fine Arts, majoring in environment design. He is a senior environment designer, the founder and design director of JINGU PHOENIX SPACE PLANNING ORGANIZATION (Hereinafter referred to as JG PHOENIX), and vice director of Shantou Decoration Association Council. In 2008, he established JG PHOENIX, an interior design agency dedicated to a wide spectrum of upscale spaces. Ye Hui continuously works.
JINGU PHOENIX SPACE PLANNING ORGANIZATION (Hereinafter referred to as JG PHOENIX) established in 2008，is a design agency dedicated to a wide spectrum of upscale spaces. We continuously work
The design agency's name is given profound meaning. The words "JIN" and "GU" respectively refer to "today" and "past" in Chinese. Today and past together constitute the time line that runs through history. "Today" wouldn't come into being if there were no extension of ancient matters, while if there were no such noun of “today”, we couldn't look back to the past things. "Phoenix" represents the spirit of the east, which is the cultural identification that inherits China's 5,000 years of history.Adhering to the design concept of "design changes life", we use contemporary languages to analyze the ancient culture so as to make the past serve the present, let the present be better than the past as well as promo
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